RICHARD WOLLHEIM (1923 - 2003)




  • Anthologies:

    • Art and its Objects, with Six Supplementary Essays.  Cambridge: CUP, 1980.

    • On Art and the Mind: Essays and Lectures London: Allen Lane, 1973.

  • Edited Works:

    • Philosophical Essays on Freud.  Ed. Wollheim and James Hopkins.  Cambridge: CUP,1982.

    • John Stuart Mill: Three Essays London: OUP, 1975.

    • Freud: a Collection of Critical Essays.  Garden City, NY: Anchor Books, 1974.  Rpt. as Philosophers on Freud: New Evaluations.  New York & London: Aronson, 1977.

    • Hume on Religion.  London: Collins, Fontana Library, 1963.

  • Selected Individual Works:

    • On the Emotions.  1999.

    • The Mind and its Depths.  1993.

    • Painting as an Art.  A. W. Mellon Lectures in the Fine Arts, National Gallery of Art, Washington, DC, 1984.  Princeton: Princeton UP, 1987.

    • "Art, Interpretation, and the Creative Process."  NLH 15 (1984): 241-253.

    • "Flawed Crystals: James' The Golden Bowl and the Plausibility of Literature as Moral Philosophy."  NLH 15 (1983): 185-192.

    • The Thread of Life.  Based on the William James Lectures at Harvard University, 1982.  Cambridge: Harvard UP, 1984.

    • The Sheep and the CeremonyLeslie Stephen Lecture, 1979.  Cambridge: CUP, 1979.

    • The Good Self and the Bad Self: the Moral Psychology of British Idealism and the English School of Psychoanalysis Compared.  Dawes Hicks Lecture on Philosophy, British Academy, 1975.  London: British Academy, 1976. 

      • Proceedings of the British Academy 61 (1975): 373- 398.

    • On Art and The Mind.  1973.

    • FreudLondon: Fontana, 1971.

    • "Freud and the Understanding of Art."  British Journal of Aesthetics 10.3 (1970): 211-224.

    • "Nelson Goodman's Languages of Art." Journal of Philosophy 67.16 (August 20, 1970): 531-539.

    • A Family RomanceLondon: Cape, 1969.

    • Introduction to F. H. Bradley's Appearance and Reality: a Metaphysical Essay.  2nd Ed.  London: OUP, 1969.

    • "The Mind and the Mind's Image of Itself."  International Journal of Psycho-Analysis 50 (1969): 209-220.  (Ernest Jones Lecture given before the British Psycho- Analytical Society, March 13, 1968.)

    • Art and its Objects: an Introduction to Aesthetics.  New York: Harper and Row, 1968.  2nd Ed. Rpt. as Art and its Objects, with Six Supplementary Essays.  Cambridge: CUP, 1980.

    • On Drawing an Object.  Inaugural Lecture as Grote Professor of Philosophy of Mind and Logic, University of London, December 1964.  London: H. K. Lewis, 1965.  Rpt. in Aesthetics.  Ed. Harold Osborne. London: OUP, 1972.  121- 144.

    • "On Expression and Expressionism."  Revue Internationale de Philosophie 18.68-69 (1964): 270-289.

    • "Reflections on Art and Illusion."  British Journal of Aesthetics 3.1 (1963): 13-37. 

      • Aesthetics in the Modern World.  Ed. Harold Osborne.  London: Thames & Hudson, 1968.  235-263.

    • Introduction to F. H. Bradley's Ethical StudiesLondon: OUP, 1962.

    • F. H. Bradley.  Harmondsworth: Penguin, 1959.  2nd Ed. 1969.

    • "F. H. Bradley."  The Revolution in Philosophy.  London: Macmillan, 1956.  12-25.

    • "The Difference between Sensing and Observing."  Aristotelian Society Supplementary Volume 28 (1954): 219-240.  Rpt. in The Philosophy of Perception.  Ed. G. J. Warnock.  London: OUP, 1967.  44-60.




  • Anthologies:


  • Selected Individual Works:



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