• 13th Annual Conference, Modernist Studies Association, Buffalo, October 6-9


  • 12th Annual Conference, Modernist Studies Association, Victoria, British Columbia, Canada, November 11-14


  • The Languages of Modernism, 11th Annual Conference, Modernist Studies Association, Montréal, November 5-8
  • Music and Modernism, Courtauld Institute of Art, May 16



  • Geographies of Visual and Literary Culture, 9th Annual Conference, Modernist Studies Association, Long Beach, California, November 1-4

  • Modernism and the Emotions, Centre for Research in Philosophy and Literature, University of Warwick, June 1

  • Autonomy and Commitment in Modernist British Literature, CERVEC Conference, Université Paul Valéry-Montpellier III, March 30-31


  • Out of the Archives, 8th Annual Conference, Modernist Studies Association, Tulsa, Oklahoma, October 19-22

  • American Modernism: Cultural Transactions, Department of English Studies, Oxford Brookes University, September 22-23

  • Contemporary Fiction: the Legacies of Modernism, Centre for Modernist Studies, University of Sussex, July 7-8
  • Anglo-American Aesthetics: Innovations and Economies of Influence, Department of English, School of Arts, Brunel University, July 12-15

  • Phenomenology and Modernism, Maison Française d'Oxford, June 24

  • Legacies of Modernism: the After-Life of Modernism from an Art Theoretical, Art Historical and Philosophical Point of View, Trinity College, University of Oxford, June 9


  • 7th Annual Conference, Modernist Studies Association, Chicago, November 3-6

  • Impersonality and Emotion in Modernist British Arts, Université Paul Valéry-Montpellier III, France, February 4-5


  • Other Modernisms / Modernism's Others, 6th Annual Conference, Modernist Studies Association, University of British Columbia and Simon Fraser University, October 21-25

  • Impersonality and Emotion in Twentieth Century British literature, Université Paul Valéry-Montpellier III, France, 


  • Modernist Cultures, 5th Annual Conference, Modernist Studies Association, University of Birmingham, September 25-28

  • Archiving Modernism, University of Alberta, July 25-27



  • New Modernisms III, 3rd Annual Conference, Modernist Studies Association, Rice University, October 12-15


  • New Modernisms II, 2nd Annual Conference, Modernist Studies Association, University of Pennsylvania, October 12-15


  • New Modernisms, Inaugural Conference, Modernist Studies Association, Pennsylvania State University, October 7-10







  • Anthologies:

    • Bentley, Eric, ed.  The Importance of Scrutiny.  New York: New York UP, 1948.
    • Faulkner, Peter, ed.  A Modernist Reader: Modernism in England, 1910-1930.  London: Batsford, 1986.

    • Kolocotroni, Vassiliki, Jane Goldman, and Olga Taxidou, eds.  Modernism: an Anthology of Sources and Documents.  Chicago: U of Chicago P, 1998.

    • Matthews, Steven, ed.  Modernism: a Sourcebook.  London: Palgrave Macmillan, 2008.

    • Stallman, Robert Wooster, ed.  Critiques and Essays in Criticism, 1920-1948.  New York: Ronald Press, 1949.

  • Selected Individual Works:

    • McDowall, Arthur.  "Conclusions and Applications."  Realism: a Study in Art and Thought.  London: Constable, 1918.  267-294. 
      • Documents of Modern Literary Realism.  Ed. George J. Becker.  Princeton: Princeton UP, 1963.  565-578.


  • Archives:


  • Selected Individual Works:




  • Anthologies:

    • Literary Theory:

      • Litz, A. Walton, Louis Menand, and Lawrence Rainey, eds.  Modernism and the New Criticism.  Vol. 7 of Cambridge History of Literary Criticism.  Cambridge: CUP, 2000.
    • Literature:

      • Alexander, Michael, and James McGonigal, eds.  Sons of Ezra.  Amsterdam: Rodopi, 1995.

      • Allen, Donald, ed.  The New American Poetry
      • Bell, Michael, ed.  The Context of English Literature, 1900-1930.  London: Methuen, 1980.
      • Bergonzi, Bernard, ed.  Innovations: Essays on Art and Ideas
      • Bloom, Clive ed.  Literature and Culture in Modern Britain: Vol. 1: 1900-1929. 
      • Bloom, Clive, and Gary Day, eds.  Literature and Culture in Modern Britain.  Vol. 3: 1956-1999.
      • Bradbury, Malcolm, and James McFarlane, eds.  Modernism, 1890-1930.  Harmondsworth: Penguin, 1976.
      • Bradshaw, David, ed.  A Concise Companion to Modernism.  Oxford: Blackwell, 2002.
      • Cowley, Malcolm, ed. After the Genteel Tradition
      • Cox, C. B., and A. E. Dyson, eds.  Modern Poetry: Studies in Practical Criticism
      • Cruickshank, J., ed.  The Twentieth Century.  Vol. 6 of French Literature and its Background
      • Day, Gary, ed.  Literature and Culture in Modern Britain.  Vol. 2: 1930-1955. 
      • Dettmar, Kevin, ed.  Rereading the New: a Backward Glance at Modernism.  Ann Arbor: U of Michigan P, 1992.
      • Ford, Boris, ed.  From James to Eliot.  Vol. 7 of  The New Pelican Guide to English Literature. Harmondsworth: Penguin, . 
      • Ford, Boris, ed.  The Modern Age.  London: , 1961.
      • Gross, John, ed.  The Modern Movement.  London: Harvill, 1992.
      • Howe, Irving, ed.  The Idea of the Modern in Literature and the Arts.  New York: , 1976.
      • Kiely, Robert, ed.  Modernism Reconsidered
      • Levenson, Michael, ed.  The Cambridge Companion to Modernism.  Cambridge: CUP, 1999.
      • Reeves, James, ed. Georgian Poetry
  • Selected Individual Works:

    • Literary Theory:
      • Baldick, Chris.  "Beyond the New Criticism: 1945-1968."  Criticism and Literary Theory: 1890 to the PresentLondon: Longman, 1996.  116-160.
      • Baldick, Chris.  "The Modernist Revolution: 1918-1945."  Criticism and Literary Theory: 1890 to the PresentLondon: Longman, 1996.  64-115.
      • Baldick, Chris.  Criticism and Literary Theory: 1890 to the PresentLondon: Longman, 1996.
      • Baldick, Chris.  The Social Mission of English Criticism.  London: Longman, 1983.
      • Fekete, John.  The Critical Twilight: Explorations in the Ideology of Anglo-American Literary Theory from Eliot to McLuhan.  London: Routledge and Kegan Paul, 1978.
      • Harland, Richard.  "Anglo-American New Criticism, 1900-1960."  Literary Theory from Plato to Barthes.  London: Palgrave Macmillan, 1999.  166-199.
      • Harland, Richard.  "Naturalism, Symbolism and Modernism."  Literary Theory from Plato to Barthes.  London: Palgrave Macmillan, 1999.  96-124.
      • Harland, Richard.  "Modernism and the Avant-Garde."  Literary Theory from Plato to Barthes.  London: Palgrave Macmillan, 1999.  113-124.
      • Leitch, Vincent.  American Literary Criticism from the Thirties to the Nineties.  New York: Columbia UP, 1988.
      • Lentricchia, Frank.  After the New Criticism.  Chicago: U of Chicago P, 1981.
      • Levenson, Michael.  A Genealogy of Modernism: a Study of English Literary Doctrine, 1908-1922.  Cambridge: CUP, 1984.
      • Lukacs, Georg.  "The Ideology of Modernism."  1957. 
        • The Meaning of Contemporary RealismTrans. John and Necke Mander.  London: Merlin, 1962.  17-46.
      • Meisel, Perry.  The Myth of the Modern: a Study in British Literature and Criticism after 1850.  New Haven: Yale UP, 1987.
      • O'Connor, William Van.  An Age of Criticism, 1900 - 1950.  Chicago: U of Chicago P, 1952.
      • Pritchard, J. P.  Criticism in America.  Norman, OK: Pilgrim Press, 1956.
      • Schwartz, Sanford.  The Matrix of Modernism: Pound, Eliot, and Early Twentieth Century Thought.  Princeton: Princeton UP, 1985.

      • Stovall, Floyd, and Harry H. Clark.  The Development of American Literary Criticism.  Chapel Hill: U of North Carolina, 1955.

      • Sutton, Walter.  Modern American Criticism.  Englewood Cliffs, NJ: Prentice Hall, 1963.

      • Symons, Julian.  Makers of the New: the Revolution in Literature, 1912-1939.  London: Andre Deutsch, 1987.
      • Webster, Grant.  The Republic of Letters: a History of Postwar American Criticism.  1979.

      • Wellek, René.  American Criticism, 1900-1950.  Vol. 6 of A History of Modern Criticism, 1750-1950.  8 Vols.  New Haven: Yale UP, 1986.

    • Literature:
      • Alvarez, A.  The Shaping Spirit
      • Barzun, Jacques.  Classic, Romantic, and Modern
      • Bergonzi, Bernard.  The Twentieth Century.  Vol. 7 of The Sphere History of Literature in the English Language
      • Berman, Marshall.  All That Is Solid Melts Into Air: the Experience of Modernity.  New York: Simon and Schuster, 1982.
      • Blackmur, R. P.  Form and Value in Modern Poetry
      • Bogan, Louise.  Achievement in American Poetry, 1900-1950.
      • Bowra, C. M.  The Background of Modern Poetry
      • Bowra, C. M.  The Creative Experiment
      • Bradbury, Malcolm.  The Social Context of Modern English Literature.  Oxford: OUP, 1971.
      • Brower, Reuben.  Twentieth Century Literature in Retrospect
      • Brown, Dennis.  The Modernist Self in Twentieth Century Literature: a Study in Self-Fragmentation
      • Bruns, Gerald.  Modern Poetry and the Idea of Language.
      • Butler, Christopher.  Early Modernism.  Oxford: OUP, 1994.
      • Callinescu, Matei.  Five Faces of Modernism: Avant-Garde, Decadence, Kitsch.  Bloomington: Indiana UP, 1972.
      • Chiari, Joseph.  The Aesthetics of Modernism.  London: Vision, 1970.
      • Childs, Peter.  Modernism.
      • Childs, Peter.  The Twentieth Century in Poetry: a Critical Survey.
      • Coffman, Stanley.  Imagism: a Chapter in the History of Modern Poetry.
      • Connolly, Cyril.  The Modern Movement: One Hundred Key Books from England, France, and America, 1880-1950.
      • Daiches, David.  Poetry and the Modern World: a Study of Poetry in England, 1900-1939
      • Donoghue, Denis.  The Ordinary Universe: Soundings in Modern Literature.  London: Faber and Faber, 1968.
      • Draper, Ronald.  An Introduction to Twentieth Century Poetry in English
      • Emig, Rainer.  Modernism in Poetry: Motivations, Structures and Limits
      • .  London: Longman, 1995.
      • Evans, B. I.  Literature Between the Wars.  London: Methuen, 1948.
      • Eysteinsson, Astradur.  The Concept of Modernism.  Ithaca: Cornell UP, 1990.
      • Faulkner, Peter.  Modernism.  London: Methuen, 1977.
      • Feder, Lillian.  Ancient Myth in Modern Poetry.
      • Fekete, John.  The Critical Twilight: Explorations in the Ideology of Anglo-American Literary Theory from Eliot to McLuhan.  London: Routledge and Kegan Paul, 1977.
      • Fokkema, Douwe Wessel.  Literary History, Modernism and Postmodernism.  Amsterdam: John Benjamin, 1984.
      • Frank, Joseph.  "Spatial Form in Modern Literature."  Sewanee Review 53.2-3 (1945): . Rpt. in The Idea of Spatial Form.  New Brunswick, NJ: Rutgers UP, 1991.  Rpt. in Hoffman and Murphy, 63-76.  Rpt. in McKeon, 784-802.
      • Fraser, G. S.  Vision and Rhetoric: Studies in Modern Poetry
      • Friedrich, Hugo.  The Structure of Modern Poetry: from the Mid-Nineteenth to the Mid-Twentieth Century
      • Fussell, Paul.  The Great War and Modern Memory.  Oxford: OUP, 1975.
      • Gay, Peter.  The Lure of Heresy: from Baudelaire to Beckett and Beyond.  New York: Norton, 2007.
      • Gikandi, Simon.  "Race and the Modernist Aesthetic."  Writing and Race.  Ed. Tim Youngs.  London: Longman, .  147-165.
      • Graves, Robert, and Laura Riding.  A Survey of Modern Poetry
      • Gray, Richard.  American Poetry of the Twentieth Century.
      • Gregory, Maurice, and Marya Zaturenska.  A History of American Poetry, 1900-1940.
      • Gross, Harvey.  Sound and Form in Modern Poetry.  Ann Arbor: U of Michigan P, 1995.
      • Hamburger, Michael.  The Truth of Modern Poetry: Tensions in Modern Poetry from Baudelaire to the 1960s.
      • Harmer, J. B.   Victory in Limbo: Imagism 1907-1917
      • Hermans, T.  The Structure of Modernist POetry.  London: Croom Helm, 1982.
      • Hough, Graham.   Image and Experience: Studies in a Literary Revolution
      • Howarth, Peter.  British Poetry in the Age of Modernism. Cambridge: CUP, 2006.
      • Kenner, Hugh.  The Pound Era.  Berkeley: U of California P, 1971.
      • Langbaum, Robert.  The Modern Spirit; Essays on the Continuity of Nineteenth and Twentieth Century Literature.  Oxford: OUP, 1970.
      • Langbaum, Robert.  The Mysteries of Identity: a Theme in Modern Literature.  Oxford: OUP, 1977.
      • Lodge, David.  The Modes of Modern Writing.  Ithaca: Cornell UP, 1977.
      • Lowell, Amy.  Tendencies in Modern American Poetry.
      • McGann, Jerome.  Black Riders: the Visible Language of Modernism.  Princeton: Princeton UP, 1993.
      • Meisel, Perry.  The Myth of the Modern: a Study in British Literature and Criticism After 1850.  New Haven: Yale UP, 1987.
      • Nicholls, Peter.  Modernisms: a Literary Guide.  London: Macmillan, 1995.

      • Paz, Octavio.  Children of the Mire: Modern Poetry from Romanticism to the Avant-Garde
      • Perkins, David.  From the 1890s to the High Modernist ModeVol. 1 of A History of Modern Poetry.  
      • Cambridge, MA: Harvard UP, 1976.
      • Perkins, David.  Modernism and After.  Vol. 2 of A History of Modern Poetry.  Cambridge, MA: Harvard UP, 1987.
      • Pinto, V. De Sola.  Crisis in English Poetry, 1880-1914.
      • Rainey, Lawrence.  Institutions of Modernism: Literary Elites and Public Culture.  New Haven: Yale UP, 1997.

      • Read, Herbert.  Form in Modern Poetry.
      • Read, Herbert.  The Philosophy of Modern Art.  1955.

      • Rosenthal, M. L.  The Modern Poets: a Critical Introduction
      • Ross, Robert.  The Georgian Revolt, 1910-1922.
      • Schmidt, Michael.  Reading Modern Poetry.
      • Sherry, Vincent.  Ezra Pound, Wyndham Lewis, and Radical Modernism.  1993.

      • Smith, S.  The Origins of Modernism: Eliot, Pound, Yeats, and the Rhetoric of Renewal.  Brighton: Harvester Wheatsheaf, 1994.
      • Stead, C. K.  The New Poetic.  London: , 1964.

      • Steele, Timothy.  Missing Measures: Modern Poetry and the Revolt against Meter.  Little Rock: U of Arkansas P, 1990.

      • Surette, Leon.  The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats and the Occult.  Montreal and Kingston: McGill-Queen's UP, 1993.
      • Swinnerton, Frank.  The Georgian Literary Scene, 1910-1935
      • Symons, Julian.  Makers of the New: the Revolution in Literature, 1912-1939.  London: Andre Deutsch, 1987.
      • Unger, Leonard.  Seven Modern American Poets: an Introduction.
      • Ward, A. C.  Twentieth Century English Literature
      • Weightman, J.  The Concept of the Avant-Garde: Explorations in Modernism.  London: , 1973.

      • Weston, Richard.  Modernism.  Phaidon, 1996.

      • Williams, Keith, and Steven Matthews.  Rewriting the 30s: Modernism and After
      • Williams, Raymond.  Culture and Society, 1780-1950
      • Wilson, Edmund.  Axel's Castle: a Study in the Imaginative Literature of 1870-1930.  New York: Charles Scribner, 1931.
      • York, William Tindall.  Forces in Modern British Literature, 1885-1956






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