PHILWEB BIBLIOGRAPHICAL ARCHIVE

THEORETICAL RESOURCES OFF- AND ON-LINE

CONTENTS


 

ROMAN INGARDEN (1893 - 1970)

SOURCES: PRIMARY

Off-Line:

  • Anthologies:

    • Przeżycie – dzieło – wartość.  Kraków: WL, 1966.
      • Erlebnis, Kunstwerk und Wert.  Vorträge zur Ästhetik 1937–1967.  Tübingen: Max Niemeyer, 1969.
        • Experience – Work of Art – Value.
    • Studia z estetyki [Studies in Aesthetics].  Warszawa: PWN.  Vol. I, 1957; Vol. II, 1958.  Vol. III, 1970.
      • Selected Papers in Aesthetics.  Ed. Peter J. McCormick.  München: Philosophia Verlag, 1985.
  • Selected Individual Works:

    • The Ontology of the Work of Art.  Trans. Raymond Meyer with John T. Goldthwait.  Athens, Ohio: Ohio UP, 1989.
    • Man and Value.  Trans. Arthur Szylewicz.  München: Philosophia Verlag, 1983.
    • On the Motives which Led Edmund Husserl to Transcendental Idealism.  Trans. Arnor Hannibalsson.  The Hague: , 1976.
    • Książeczka o człowieku.  Kraków: Wydawnictwo Literackie, 1972.
      • Little Book on Man.
    • U podstaw teorii poznania.  Warszawa: PWN, 1971.
      • Foundations of the Theory of Knowledge.
    • Über die Verantwortung.  Ihre ontischen Fundamente.  Stuttgart: Reclam, 1970.
    • "Phenomenological Aesthetics: an Attempt at Defining its Range."  Institute of Aesthetics, University of Amsterdam, 1969.

      • The Journal of Aesthetics and Art Criticism 33.3 (1975): 257-269.

        • Critical Theory Since 1965.  Ed. Hazard Adams and Leroy Searle.  Tallahassee: UP of Florida, 1986.  185-198.

    • Vom Erkennen des literarischen Kunstwerks.  Tübingen: Max Niemeyer, 1968.
    • "Edith Stein on her Activity as an Assistant of Edmund Husserl."  Philosophy and Phenomenological Research 23.2 (1962): 155-175.

    • Untersuchungen zur Ontologie der Kunst: Musikwerk. Bild. Architektur. Film.  Tübingen: Max Niemeyer, 1962.
      • The Ontology of the Work of Art.
    • "A Marginal Commentary on Aristotle's Poetics."

      • Part II: Journal of Aesthetics and Art Criticism 20.3 (1962): 273-285.

      • Part I: Journal of Aesthetics and Art Criticism 20.2 (1961): 163-173.

    • 1958.

      • "The General Question of the Essence of Form and Content." The Journal of Philosophy 57.7 (1960): 222-233.

    • "The Hypothetical Proposition."  Philosophy and Phenomenological Research 18.4 (1958): 435-450.

    • “Elementy dzieła muzycznego.”  Sprawozdania Towarzystwa Naukowego w Toruniu 9.1-4 (1955): 82–84.
      • "Elements of the Musical Work of Art."
    • Spór o istnienie śwaita.  Kraków: PAU.  Vol. I, 1947; Vol. II, 1948.
      • Der Streit um die Existenz der Welt.  Vols. I, II.I and II.2.  Tübingen: Max Niemeyer, 1964.
      • Über die kausale Struktur der realen Welt.  Vol. III of Der Streit um die Existenz der Welt.  Tübingen: Max Niemeyer, 1974.
        • The Controversy Over the Existence of the World

        • Time and Modes of Being.  Partial Translation of Der Streit by Helen R. Michejda.  Springfield, Illinois: Charles C. Thomas, 1964.
    • Szkice z filozofii literatury.  Vol. 1.  Łódź: Spółdzielnia wydawnicza 'Polonista,' 1947.
      • Sketches in the Philosophy of Literature.
    • O Budowie obrazu.  Szkic z teorii sztukiRozprawy Wydziału Filozoficznego PAU 67.2 (1946): .
      • On the Structure of the Painting: a Sketch in the Theory of Art.
    • “O Dziele architektury.”  Nauka i Sztuka 2.1 (1946): 3–26 and 2.22 (1946): 26–51.
      • "On the Architectural Work of Art."
    • O Poznawaniu dzieła literackiego.  Ossolineum, Lvóv, 1936.

      • The Cognition of the Literary Work of Art.  Trans. Ruth Ann Crowley and Kenneth Olson.  Evanston: Northwestern UP, 1973.

        • Selections.  The Hermeneutics Reader.  Ed. Kurt Mueller-Vollmer.  London: Continuum, 1989.  187-213.

        • "Aesthetic Experience and Aesthetic Object."  Philosophy and Phenomenological Research 21.3 (1961): 289-313.

    • 1937.

      • "Psychologism and Psychology in Literary Scholarship."  Trans. John Fizer.  New Literary History 5.2 (1974): 213-223.

    • Das literarische Kunstwerk.  Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft.  Halle: Max Niemeyer, 1931.
      • The Literary Work of Art: an Investigation on the Borderlines of Ontology, Logic, and the Theory of Literature.  Trans. George G. Grabowicz.  Evanston: Northwestern UP, 1973.

      • O Dziele literackim.  Warszawa: PWN, 1960.
    • “Bemerkungen zum Problem Idealismus-Realismus.”  Ergänzungsband: Festschrift, Edmund Husserl zum 70.  Jahrbuch für Philosophie und Phänomenologische. Halle: 1929,  159–190.
    • Essentiale Fragen. Ein Beitrag zum Problem des Wesens.  Halle: Max Niemeyer, 1925.
      • "Essential Questions."  Yearbook for Philosophy and Phenomenological Research.

    • Intuition und Intellekt bei Henri Bergson.  Halle: Max Niemeyer, 1921.

    • "The Letter to Husserl about the VI [Logical] Investigation and 'Idealism.'"  Ingardeniana.  Ed. Anna-Teresa Tymieniecka.  Ed. Anna-Teresa Tymieniecka.  Vol. IV of Analecta Husserliana.  Dordrecht: D. Reidel, 1976.

On-Line:

  • Archives:

    •  

  • Selected Individual Works:

    •  

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

    • Dziemidok, Bohdan, and Peter McCormick, eds.  On the Aesthetics of Roman Ingarden.  The Hague: Nijhoff, 1988.

  • Selected Individual Works:

    • Brunius, Teddy.  "The Aesthetics of Roman Ingarden."  Philosophy and Phenomenological Research 30.4 (1970): 590-595.

    • Falk, Eugene H.  The Poetics of Roman Ingarden.  1981.

    • Harland, Richard.  "From Ingarden to Iser."  Literary Theory from Plato to Barthes.  London: Palgrave Macmillan, 1999.  204-208.
    • Mitscherling, Jeff.  Roman Ingarden's Ontology and Aesthetics.  Ottawa: U of Ottawa P, 1997.

    • Spiegelberg, Herbert.  "Roman Ingarden (1893-1970): Ontological Phenomenolgy."  The Phenomenological Movement: a Historical Introduction.  2 Vols.  The Hague: Martinus Nijhoff, 1960. 3rd Rev. Ed. Dordrecht: Kluwer Academic, 1994.  223-232.

    • Wellek, René.  Four Critics: Croce, Valery, Lukács and Ingarden.  Seattle: University of Washington Press. 1982.

On-Line:

 

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