PHILWEB BIBLIOGRAPHICAL ARCHIVE

THEORETICAL RESOURCES OFF- AND ON-LINE

CONTENTS


 

WAYNE C. BOOTH (1921 - 2005)

COURSES

SOURCES: PRIMARY

Off-Line:

  • Anthologies:
    • The Essential Wayne C. Booth.  Ed. and intro. Walter Jost.  Chicago: U of Chicago P, 2006.
    • The Knowing Most Worth Doing: Essays on Pluralism, Ethics, and Religion.  Charlottesville: U of Virginia P, 2010.
    • The Knowledge Most Worth Having.  Chicago: U of Chicago P, 2006.
    • The Vocation of a Teacher: Rhetorical Occasions, 1967-1988.  Chicago: U of Chicago P, 1991.
    • Now Don't Try to Reason with Me: Essays and Ironies for a Credulous Age.  Chicago: U of Chicago P, 1970.
  • Edited Works:
  • Selected Individual Works:
    • My Many Selves: the Quest for a Plausible Harmony.  Utah State UP, 2006.
    • The Rhetoric of Rhetoric: the Quest for Effective Communication.  Oxford: Blackwell, 2004.
    • For the Love of It: Amateuring and its Rivals.  Chicago: U of Chicago P, 1999.
    • "Why Ethical Criticism Can Never Be Simple."  Style 32.2 (1998): 351-364.
    • "The Ethics of Teaching Literature."  College English 61.1 (1998): 41-55.
    • "Why Banning Ethical Criticism is a Serious Mistake."  Philosophy and Literature 22.2 (1998): 366-93.
    • "Relocating Ethical Criticism."  Explanation and Value in the Arts.  Ed. Salim Kemal and Ivan Gaskin.  Cambridge: CUP, 1993.  71-93.
      • The Essential Wayne C. Booth.  Ed. and intro. Walter Jost.  Chicago: U of Chicago P, 2006.  180-193.
    • The Company We Keep: an Ethics of Fiction.  Berkeley: U of California P, 1989.
    • "Why Ethical Criticism Fell on Hard Times."  Ethics 98.2 (1988): 278-293.
    • "Introduction."  Problems of Dostoevsky's Poetics.  Trans. Caryl Emerson.  Intro. Wayne C. Booth.  Ann Arbor: U of Michigan P, 1973.  Rpt. Minneapolis: U of Minnesota P, 1984.  xiii-xxvii.
      • Rpt. as "How Bakhtin Woke Me Up."  The Essential Wayne C. Booth.  Ed. and intro. Walter Jost.  Chicago: U of Chicago P, 2006.  140-153.
    • "Freedom of Interpretation: Bakhtin and the Challenge of Feminist Criticism."  Critical Inquiry 9 (1982): 45-76.
    • "Between Two Generations: the Heritage of the Chicago School."  Profession 82 (1982): 19-26.
    • Critical Understanding: the Powers and Limits of Pluralism.  Chicago: U of Chicago P, 1979.
    • "Metaphor as Rhetoric: the Problem of Evaluation."  Critical Inquiry 5 (1978): 49-72.
      • The Essential Wayne C. Booth.  Ed. and intro. Walter Jost.  Chicago: U of Chicago P, 2006.  74-99.
    • "Ten Literal 'Theses.'"  Critical Inquiry 5.1 (1978): 175-176.
    • "M. H. Abrams: Historian as Critic, Critic as Pluralist."  Critical Inquiry 2.3 (1976): 411-445.
    • "Kenneth Burke's Way of Knowing."  Critical Inquiry 1.1 (1974): 1-22.
    • Modern Dogma and the Rhetoric of Assent.  Chicago: U of Chicago P, 1974.
      • The Rhetorical Tradition: Readings from Classical Times to the Present.  Ed. Patricia Bizzell and Bruce Herzberg.  New York: Bedford, 2000.  1493-1519.
    • A Rhetoric of Irony.  Chicago: U of Chicago P, 1974.
    • "The Rhetoric of Fiction and the Poetics of Fictions."  Novel 1 (1968): 105-117.
    • "The Revival of Rhetoric."  PMLA 80.2 (1965): 8-12.
      • The Essential Wayne C. Booth.  Ed. and intro. Walter Jost.  Chicago: U of Chicago P, 2006.  64-73.
      • Now Don't Try to Reason with Me: Essays and Ironies for a Credulous Age.  Chicago: U of Chicago P, 1970.  35-46.
    • "The Rhetorical Stance."  College Composition and Communication 14 (1963): 139-145.
      • The Essential Wayne C. Booth.  Ed. and intro. Walter Jost.  Chicago: U of Chicago P, 2006.  54-63.
    • The Rhetoric of Fiction.  Chicago: U of Chicago P, 1961.  2nd Ed. 1983.
      • Preface to the First Edition.  xiii-xv.
      • Chapter I: "Telling and Showing."  3-22.
      • Chapter II: "General Rules, I: 'True Novels Must be Realistic.'"  23-64.
      • Chapter III: "General Rules II: 'All Authors Should be Objective.'"  67-86.
        • "[Objectivity in Fiction.]"  20th Century Literary Criticism.  Ed. David Lodge.  London: Longman, 1972.  565-580.
      • Chapter IV: "General Rules III: 'True Art Ignores the Audience.'"  89-118.
      • Chapter V: "General Rules IV: Emotions, Beliefs, and the Reader's Objectivity.'"  119-147.
      • Chapter VI: "Types of Narration."  149-165.
        • Narratology: an Introduction.  Ed. Susana Onega and José Ángel García Landes.  London: Longman, 1996.  145-154.
        • Approaches to the Novel: Materials for a Poetics.  Ed. Robert Scholes.  San Francisco: Chandler, 1966.  273-290. 
        • "Distance and Point of View: an Essay in Classification."  Essays in Criticism 11 (1961): . 
          • Essentials of the Theory of Fiction.  Ed. Michael J. Hoffman and Patrick D. Murphy.  Durham: Duke UP, 1988.  116-133.
          • Twentieth Century Literary Theory: an Introductory Anthology.  Ed. Vassilis Lambropoulos and David Neal MillerAlbany: SUNY Press, 1986.  269-284.
          • The Theory of the Novel.  Ed. Philip Stevick.  New York: The Free Press, 1967.  87-107. 
      • Excerpts.  The Novel: an Anthology of Criticism and Theory, 1900-2000.  Ed. Dorothy J. Hale.  Oxford: Blackwell, 2005.  154-184.

On-Line:

  • Archives:

    •  

  • Selected Individual Works:

    •  

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

    • Antczak, Frederick, ed.  Rhetoric and Pluralism: Legacies of Wayne Booth.  Columbus: Ohio State UP, 1995.
  • Selected Individual Works:

    • Clark, Gregory C.  "Wayne Booth".  Twentieth-Century Rhetorics and Rhetoricians: Critical Studies and Sources.  Ed. Michael G. Moran and Michelle Ballif.  Westport, CT: Greenwood, 2000.  49-51.
    • Kindt, Tom, et al.  The Implied Author: Concept and Controversy.  Berlin: de Gruyter, 2006.
    • Lodge, David.  "The Rhetoric of Wayne Booth."  Critical Survey 3 (1966) 4-6.

On-Line:

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