PHILWEB BIBLIOGRAPHICAL ARCHIVE

THEORETICAL RESOURCES OFF- AND ON-LINE

CONTENTS


 

LITERARY DARWINISM: BIOLOGY AND THE ARTS
BIOPOETICS
DARWINIAN LITERARY THEORY


ASSOCIATIONS

CONFERENCES

2012:

2011:

2010:

2009:

  • Decodings, 23rd Annual Conference, Society for Literature, Science and the Arts, Atlanta, November 5-8

2008:

2007:

2006:

  • Close Encounters, Fourth European Biannual Conference, Society for Literature, Science, and the Arts, Amsterdam School for Cultural Analysis, University of Amsterdam,

2005:

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2004:

  • 18th Annual Conference, Society for Literature and Science, Durham, North Carolina, October 14-17

2003:

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2002:

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2001:

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2000:

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Annual:

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COURSES

JOURNALS

PERSONS

SOURCES: PRIMARY

Off-Line:

  • Anthologies:

    • Boyd, Brian, Joseph Carroll, and Jonathan Gottschall, eds.  Evolution, Literature and Film: a Reader.  New York: Columbia UP, 2010.

    • Cooke, Brett, and Frederick Turner, eds.  Biopoetics: Evolutionary Explorations in the Arts.  ICUS, 1999.

    • Gottschall, Jonathan, and David Sloan Wilson, eds.  The Literary Animal: Evolution and the Nature of Narrative.  Evanston, IL: Northwestern UP, 2005.

    • Headlam Wells, Robin, and Jon Joe McFadden, eds.  Human Nature: Fact and Fiction.  London: Continuum, 2006.

    • Martindale, Colin, Paul Locher, and Vladimir M. Petrov, eds.  Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts.  New York: Baywood, 2007.

  • Selected Individual Works:

    • Argyros, Alexander J.  A Blessed Rage for Order: Deconstruction, Evolution, and Chaos.  1991.

    • Austin, Michael.  Useful Fictions: Evolution, Anxiety, and the Origins of Literature.  Lincoln: U of Nebraska P, 2010.
    • Barash, David P., and Nanelle R. Barash.  Madame Bovary’s Ovaries: a Darwinian Look at Literature.  New York: Delacourt, 2005.
    • Beer, Gillian.  Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction.  London: Methuen, 1983.
    • Boyd, Brian.  On the Origin of Stories: Evolution, Cognition and Fiction.  Cambridge, MA: Harvard UP, 2009.
    • Coe, Kathryn.  The Ancestress Hypothesis: Visual Art as Adaptation.  Piscataway, NJ: Rutgers UP, 2003.
    • Cooke, Brett.  Human Nature in Utopia: Zamyatin's We.  Evanston, IL: Northwestern UP, 2002.
    • Dissanayake, Ellen.   Art and Intimacy: How the Arts Began.  Seattle: U of Washington P, 2000.

    • Dissanayake, Ellen.   Homo Aestheticus: Where Art Comes From and Why.  New York: Free Press, 1992.

    • Dissanayake, Ellen.   What Is Art For?.  Seattle: U of Washington P, 1988.

    • Dutton, Dennis.  The Art Instinct: Beauty, Pleasure and Human Evolution.  London: Bloomsbury, 2008.

    • Fromm, Harold.  The Nature of Being Human: From Environmentalism to Consciousness.  Baltimore: Johns Hopkins UP, 2009.

    • Gottschall, Jonathan.  Literature, Science, and a New Humanities.  London: Palgrave Macmillan, 2008.

    • Gottschall, Jonathan.  The Rape of Troy: Evolution, Violence, and the World of Homer.  Cambridge: CUP, 2007.

    • Grodal, Torben.  Embodied Visions: Evolution, Emotion, Culture, and Film.  Oxford: OUP, 2009.

    • Headlam Wells, Robin.  Shakespeare's Humanism.  Cambridge: CUP, 2005.

    • Hood, Randall.  The Genetic Function and Nature of Literature.  California State Polytechnic, San Luis Obispo, 1979.

    • Love, Glen.  Practical Ecocriticism: Literature, Biology, and the Environment.  Charlottesville: U of Virginia P, 2003.

    • Machann, Clinton.  Masculinity in Four Victorian Epics: a Darwinist Reading.  Aldershot: Ashgate, 2009.

    • Miller, Geoffrey.  The Mating Mind.  2000.

    • Nordlund, Marcus.  Shakespeare and the Nature of Love: Literature, Culture, Evolution.  Evanston, IL: Northwestern UP, 2007.

    • Salmon, Catherine, and Donal Symons.  Warrior Lovers: Erotic Fiction, Evolution, and Female Sexuality.  London: Weidenfeld and Nicolson, 2001.

    • Saunders, Judith.  Reading Edith Wharton Through a Darwinian Lens: Evolutionary Biological Issues In Her Fiction.  Jefferson, NC: McFarland, 2009.

    • Storey, Robert.  Mimesis and the Human Animal: on the Biogenetic Foundations of Literary Representation.  Evanston, IL: Northwestern UP, 2006.

    • Swirski, Peter.  Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution.  Austin: U of Texas P, 2010.

    • Swirski, Peter.  Of Literature and Knowledge: Explorations in Narrative Thought Experiments, Evolution, and Game Theory.  London: Routledge, 2007.

    • Turner, Frederick.  The Culture of Hope.  1995.

    • Turner, Frederick.  Natural Classicism.  1982.

    • Vermeule, Blakey.  Why Do We Care about Literary Characters?  Baltimore: Johns Hopkins UP, 2010.

    • Critiques:

      • Benzon, William.  "Signposts for a Naturalist Criticism." Entelechy: Mind and Culture (2005-2006): .

      • Flesch, William.  Comeuppance: Costly Signaling, Altruistic Punishment, and Other Biological Components of Fiction.  Cambridge, MA: Harvard UP, 2009.

      • Goodheart, Eugene.  Darwinian Misadventures in the Humanities.  Transaction, 2009.

      • Kramnick, Jonathan.  "Against Literary Darwinism."  Critical Inquiry (2011): .

      • Pinker, Steven.  "Toward a Consilient Study of Literature."  Philosophy and Literature 31 (2007): 162-178.

On-Line:

SOURCES: SECONDARY

Off-Line:

  • Anthologies:

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  • Selected Individual Works:

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On-Line:

UNIVERSITY PROGRAMMES / RESEARCH CENTRES / RESEARCH PROJECTS

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WWW GATEWAYS

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May 18, 2017

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